Title: ‘The Miasma of Organic Fertiliser’ … or …

 

 Widdershinsmask Among the Buttercups… ‘Cow Poo In The Spring’

Once upon a time Widder Island used to be farmland, then some bright spark divided it up into 5 acre farmlets. Years later some of the descendents of the bright sparks decided to sub-divide their farmlets, stick driveways down the middle and sell off the individual lots. (Not complaining, the sub-dividings allow Mrs Widder, Widdercat, and I, to enjoy these beautiful spring days within a cuppa-tea-and-a-short-amble distance of the lake)

On one side of our lake steep hills kick back into the coastal mountain range, and the other side has rampant farmland (that hasn’t been sub-divided) currently being seeded with this season’s crops. These days it’s possible to tell exactly which farm is using which ‘soil enrichment product’ (I just made that term up) just by breathing too deep.

I’m all for organic fertiliser, it’s a better deal on every level, however … sheesh! Does it stink, or what!!!!!!

I walked out our front door this morning to collect the mail, turned around, walked back inside, and waited for the northerly breeze that usually arrives around mid-afternoon.

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“What’s in a name? That which we call a rose, by any other name would smell as sweet” - Juliet – (II,ii, 1-2)… from ‘Romeo and Ethel The Pirate’s Daughter’ #, by Bill Shakespeare.

 # – Guess what movie?

What Do We See?

I can’t decide if I’m feeling more angry or sad after watching this video. Perhaps just a dash of hope thrown in for good measure?

What do you think? 

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UPDATED:

I watched this video late last night and was too tired to really analyse my feelings. This morning I woke up appalled that these women were shamed on a visceral and public level about their levels of internalised body-hate/dislike. And some of them commenting so dishearteningly that they needed to do more work on themselves nearly broke my heart.

The ‘hope’ I expressed has more to do with women watching the video and thinking about why we see ourselves negatively, not just self-blaming.

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“ Although beauty may be in the eye of the beholder, the feeling of being beautiful exists solely in the mind of the beheld” Martha Beck, sociologist, author, therapist, life-coach

Guest Posting and a 17th Century Science Fiction Novel!

Widdershins MaskI have a guest post today over on Sonnet O’Dell’s ‘Dusty Pages’ blog – drop by, I’ll put the kettle on and we can share a cuppa.

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And now … a truly wondrous phantasmagorical find! A Science Fiction novel written and published by a woman in … wait for it … 1666. That’s (let me write these numbers out, because – supreme awesomeness) Three Hundred And Forty Seven Years Ago.

Thanks have to go to Women and WordsStevie Carroll for bringing this out into the blog-o-sphere. (well, my little corner of it)

The story is titled: ‘The Description of a New World, Called the Blazing-World’. (our fore-mothers sure knew how to craft a blistering title) by the ‘Thrice Noble Illustrious and Excellent Princesse, the Duchess of Newcastle, Margaret Cavendish’ (another impressive title)

Stevie’s post on Women and Words has a synopsis but if you want to read the story in its lyrical entirety, you can read it HERE.

“Here on this Figure Cast a Glance.
But so as if it were by Chance,
Your eyes not fixt, they must not Stay,
Since this like Shadowes to the Day
It only represent’s; for Still,
Her Beauty’s found beyond the Skill
Of the best Paynter, to Imbrace
These lovely Lines within her face.
View her Soul’s Picture, Judgment, witt,
Then read those Lines which Shee hath writt,
By Phancy’s Pencill drawne alone 
Which Peces but Shee, can justly owne.”

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“You can make explicit certain social problems which, again, would be prejudged or not encountered at in real life, because people have set up defenses against it. Fantasy allows you to get past defenses” Elizabeth Moon, Science Fiction and Fantasy Author

 

Rejection Becomes A Call To Excellence

Widdershins On Red VelvetHaving our stories rejected is, if we’re prolific, an almost daily experience. Even if we’re a ‘once-a-month-er’, (or week, or year) those rejections are a bitter pill to swallow.

We rant, cry, eat chocolate to excess, (or other drug/comfort food of choice) eventually dust ourselves off, and get back to work. Because we are storytellers. That’s what we do, what we are.

Once in a while, among the ‘form’ rejections, something different this way comes. A personal note from an editor. Someone, whose job it is to read tens of thousands of words a day, has taken the time to respond. They give us clues that might help us negotiate the ‘getting published’ morass, encourage us to keep trying to do better, and remind us we’re not alone.

Occasionally something like this happens:

Last year I submitted a short story, told entirely with dialogue, to an eZine. I’d written it almost like a play, but of course, all the action had to be told through the dialogue.

For example – (not from the story but to illustrate my point) “This truly is an excellent cuppa tea. Oops. Sorry. I’ll clean that up.”

Writing the story this way challenged me, and I was happy with the end result. So was the eZine editor, but … the story passed around the reading table and everyone else liked it, but … they all wanted ‘more’. They didn’t know what ‘more’ they wanted, but they knew they wanted ‘more’ of it.

In her rejection letter, the editor apologised for not being specific, and invited me to resubmit when I had ‘more’.

Neither Mrs Widders, or the Widdercat could offer any suggestions as to what the ‘more’ might be. Nor could any of my writerly friends. I stared at ‘more’ for about a week, then put it, and the story, in a metaphorical drawer, hoping it would miraculously appear while I wasn’t paying attention.

More eventually did, but not because I left it in that drawer. I tore the story apart, edited the characters, the action, the story arc, the ending, the beginning, threw all of the above out, retrieved it, went for long bike rides or walks in the rain depending on the weather, emptied out gazillions of cold cups of tea, rewrote it, and finally created a story that was more than it had been before.

Does the editor think it’s more-ish enough? We’ll see.

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“I take rejection as someone blowing a bugle in my ear to wake me up and get going, rather than retreat” Michael Sylvester Gardenzio Stallone – actor, screenwriter, director

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‘Simon’s Cat’, fresh off the presses:

Cornucopia II

Widdershins Mask(Go to Cornucopia I’ for the first in this series of posts)

…but first a word from the Widder spam folder … ‘influensive’ Any definitions would be welcome.

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This video puts that overhyped word ‘awesome’ in its place. At the end the presenter does an overlay to give you the true scope of what you’re witnessing. Maximise your screen and just … watch!

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The ‘Pattycake Cats’, reimagined – with subtitles. Wait for the “Poom!”

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For all Greeek Myth Geeks – That Zeus really got around! (sorry I couldn’t embed the graphic itself – well worth a look though)

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This last clip, a promo for a BBC show called ‘Mrs Brown’s Boys’, is absolutely NSFW (Not Safe For Work) It has very … let’s call it, colourful language. Gotta love the Irish sense of humour!

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“I’m an Irish catholic and I have a long iceberg of guilt” - Edna O’Brien, novelist, playwright and poet

Identical: Episode 3

You can read Episodes 1 and 2, via Identical’s own page HERE, or from the menu above.

Previously, on ‘Identical’ 

Ciska, riding her bicycle along a lonely road, takes shelter from a nasty storm with a slightly confused Meg, whose car’s been stolen, and subsequently found with a dead woman at the wheel.

Tamsin Lightsmith, of the RCMP, informs Meg that not only was the dead woman wearing the exact same clothes as her, they look like each other as well.

 

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The Clues are in. Mystery abounds. Just exactly what’s going on?

Identical Ep 3 - Cover Art

Meg stared at the face on the photo. Even in death it was hers.

“She can’t be my twin. I don’t have any female relatives. Only child, remember?” She said, refusing to accept the evidence right in front of her.

Tamsin reached across the table, grabbed her hands and turned them over. “What about these then?”

Meg refused to look at the tiny white lines on her wrists. Fifteen years had faded neither scars nor memories.

Ciska leaned in. “What about them?”

Tamsin frowned and ran her thumb across the scar on Meg’s left arm. “These are different.”

Meg pulled her hands out of Tamsin’s grasp. “ You just haven’t seen them in a while.”

“That’s not what I meant. Our friend in the photo has scars in exactly the same place, but …”

“But they’re different.” Ciska finished.

Meg rubbed the white marks Tamsin’s grip left on her arms, as thankfully, the conversation turned away from her.

 “How could you possibly know that?” Tamsin said to Ciska. “Don’t tell me it was just a lucky guess.”

Ciska paused before answering. “I’d like to be sure before I answer, even then you won’t like what I’ve got to say.”

“Try me.”

“Let me see the car.”

“Not possible,” Tamsin said.

Meg watched Tamisn lean back with a familiar arrogance she displayed when she thought she’d scored points in an argument. Meg doubted whether Ciska would even bother playing.

“It’s against regulations.”

Meg rolled her eyes.

Ciska gathered the scattered photos, slid them into the envelope and handed it back to Tamsin.

“That’s different,” Tamisn muttered. “Meg’s family.”

“And I’m an outsider who spent the night with your ex, who you still have rather confused feelings for, and, you want proof my intent is pure.” Ciska pulled a soft leather bag out of her pocket and spilled the contents onto the table.

Meg smiled to herself. Game, set, and match to Ciska. She picked up a few of the small objects. They felt warm, from Ciska’s body heat she supposed. Some of the pieces looked like a child’s alphabet block set in miniature. Some were weird asymmetric shapes, others were carved into runic letters. “They’re beautiful.” She handed them back to Ciska. “What are they made of?”

“Those ones are all sorts of different metals,” Ciska said, sorting the pieces into separate piles. “And these are wood, this one’s amber, not sure what these are, probably just river rocks. These two are bone. The rest are magnets.” She started placing them in her hand, creating a three dimensional shape. “The trick is, to use the magnets to hold the whole thing together.” She opened her hand and the shape fell apart.

“This is your proof?” Tamsin taunted.

Meg shushed her.

Ciska ignored them both. “I see things. This helps me concentrate.” She placed a few pieces in her hand again.

Meg glared at Tamsin’s scowl then watched as Ciska built another, different shape out of the pieces. “You mean you can see forward, into the future?”

“More like sideways. Into the ‘now’. I see things as they are, but someplace else.”

Meg laughed thinking she’d solved a riddle. “That’s how you knew where everything was in my kitchen.”

“I’d love that to be true, but no. Kitchens are laid out depending on the quirks of the main cook and bottle-washer, and whether they’re right or left handed. I’m also good at reading people.” Ciska picked up the magnetic pieces and clicked them into place. She placed the strange shape on the table and gently let it stand on its tiny base. It looked like something a 3D printer would create from an Escher blueprint. “You got a pen?”

Meg rummaged around in her bag until Tamsin flipped one out of her uniform pocket, clicked it and handed it to her.

Ciska stared at the shape. “Write these numbers down. 357 … 604 … a 5 or a 6 … or an 8 or 9, maybe 0. You got that?”

“Yes,” Meg hasitly scribbled the numbers down on the pad Tamsin also supplied. “Anything else?”

“All these numbers all have something to do with the car.” Ciska closed her eyes briefly. “And … 6:13.” She flicked a fingernail against the shape. The pieces clinked against each other and cascaded onto the table.

“These numbers prove nothing.” Tamsin said, but Meg knew her heart wasn’t in the denial. She touched Tamsin’s arm lightly.

“I think we should go see my car.”

***

Tamsin paid her bill and walked with Ciska and Meg across the street to Philby Connelly’s wrecking and impound yard, gas station and repair shop.

She signed for the car keys and backed out of Philby’s tiny office leaving Meg to commiserate with Philby about his grandmothers propensity for burning out perfectly good tires in a matter of weeks.

“Are you reading me now?” Tamsin said to Ciska as the two of them strode past the gas pumps.

“I can’t read minds, just physical objects. It’s not as handy as you might think. Anything I do see needs context otherwise it won’t make sense.” Ciska shaded her eyes against the brazen glare of the afternoon sun as it reflected off dozens of windshields stacked against a chain-link fence. “Imagine if I saw just that sunglint and nothing else. What would it mean?”

“I suppose.” Tamsin admitted as she unlocked the battered chain-wire impound gates.

Meg rejoined them as they peered through the side windows of her car.

“How old is this thing?” Ciska asked incredulously.

“It belonged to my grandmother. Mother hated it so I inherited it. It’s been rebuilt from end to end, but it’s in perfect working order. Was. We’ll need the keys.” Meg pulled her set out of her jeans pocket. Tamisn did the same with the set they’d taken out of the ignition when the body was discovered.

“Don’t bother checking if they’re they match,” Ciska said to break the tableau, then sniffed the air. ‘The weather’s changing.”

“It usually does about this time of day,” Tamsin said and gently ushered Meg back from the car. She broke the evidence seal and tried Meg’s keys then her own. They both opened the drivers door. She leaned in, careful not to disturb anything, and looked at the control panel.

She straightened up and gently closed the door. “The odometer reading has three hundred and fifty seven thousand, six hundred and four, point nine…miles, I suppose it was back then, on it. It really is an old car!” She winked at Meg then turned to Ciska standing a few paces away looking west. “The crash occurred a little after 6pm last night. I’d really like to hear your story now.”

“Thirteen minutes after six. I checked the clock on my bike right at that moment. Now I know why.” Ciska frowned at the sky. The sun grew dim and a chilly breeze raised a dust devil in the middle of the yard.

“I want those answers,” Tamsin said. “Now.”

“Then you better be able to listen and run at the same time! There’s another storm coming and I have to get back to my motel room before it hits.”

Tamsin watched open-mouthed as Ciska bolted through the impound yard gates and ran down the street toward her motel. She hauled Meg across the road to her car and caught up with Ciska at the next intersection.

“Get in.” Meg shouted.

Ciska jumped in to the back seat of the moving vehicle and pounded on the back of Tamsins seat. “Go. Go. Go!”

Tamsin cast a critical eye at the sky. The storm would race through the countryside but it would be a while before it hit town. “What’s your hurry?” She glanced at the rearview mirror. Ciska leaned from one side of the car to the other, trying to see her motel. “It’s just a storm.”

Ciska stopped moving. “Yes, you’re right, of course. I’m sorry. I have some delicate instruments in my room and they don’t take well to sudden changes in atmospheric pressure.”

Tamsin didn’t buy that for a minute, but she obligingly sped up and arrived at Ciska’s motel in record time.

As Tamsin undid her seatbelt, Ciska leaned forward. “Look, I know I haven’t given you any good reasons to believe anything I say, but please don’t follow me. If I’m … when the storm is over I give you my word that I’ll tell you everything I can about what’s going on.”

Before Tamsin could think of any kind of response, Meg nodded slightly. Cursing at herself under her breath, Tamsin let Ciska out of the car and watched her cross the motel parking lot and let herself into her room.

“I must be crazy.” Tamsin muttered.

“You’re crazy?” Meg said. “You do remember what’s happened to me in the last twenty four hours?”

Tamsin looked at her for a moment then burst out laughing. “You win. You’re crazier.” She pulled away from the curb. “You want a ride home?”

“I need a vehicle. Take me back to Philby’s. I’ll use his courtesy car.”

“That heap of junk? It’s older that your car.”

Tamsin left Meg to do a walk-around of Philby’s rust-bucket and did a quick patrol of the town. She wondered about Ciska’s reaction to the storm and how she probably wasn’t going to like any explanations Ciska might offer.

***

Ciska locked her motel door and leaned against it. Way to impress the locals! What next? A case of the swooning vapours? She touched the handlebar of her bike, seeking comfort, then set up her instruments and waited for the storm.

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Tamsin checked the time. She smiled evilly and slid naked between the cool sheets of her bed. She set her phone to speaker, and speed-dialed a familiar number.

 “Hello? This is Jane Lightsmith.”

“Hello Mother.”

“Hello Daughter. why are you calling me at six-thirty in the morning?”

“Well, if you could tear yourself away from that tousle-haired cherub that’s got it’s limbs wrapped around you, we need to talk.”

“You’re right. He is very pretty. It’s amazing how deeply the very young sleep.”

“A ‘he’ eh? What caught your attention with this one?”

“The usual. Spice. Life. Give me a minute, darling … no, go back to sleep … he’s pouting now … well, close the door behind you then.”

“Still waiting.”

“I suppose I should’ve set the alarm, but they’re such annoying little mechanical monsters. His fishing boat has to catch the morning tide, or some such thing.”

“Mum!”

“What?”

“There’s been an incident.”

“That’s an all-purpose police euphemism if ever I heard one.”

“Can you come over?”

“It will take me at least week just to get to Heathrow. What’s happening in your strange little town now?”

“There are two Megs here, and one of them is dead.”

 

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Stay tuned for Episode 4 of …

‘Identical’

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GLOSSARY AND LINKS

About 3D printers - fascinating stuff!

Official M.C. Escher Website

This might give you an idea of what the object Ciska created could look like – but then again, maybe not! heh, heh.